Changeling: Foucault's 'Discipline and Punish' redux

Tonight Linda and I went to see Clint Eastwood's latest film, Changeling. We had both been really moved by Million Dollar Baby and so looked forward to viewing it with anticipation.

Let's make one thing clear: it isn't pretty viewing. The film opens reminding the viewer that it is based on true life, and this is what makes the movie powerfully arresting. In fact, the auditorium was quieter at the end of the film than any other I'd been to since The Passion of the Christ. Whilst there wasn't much gore, the subject matter was such that it leaves you squeaming at many points.

The trailer for Changeling only gave the bare bones of the plot: a boy is abducted, a police search ensues, a boy is found, but the boy's mother Christine Collins (played by the very good Angelina Jolie) insists that the boy returned to her is not her son.

However, perhaps the main issue that the film raises is the matter of madness. After confronting the city authorities, Mrs Collins is branded an unfit mother, branded delusional and sent to a secure psychiatric hospital. Later in the film, another view of madness is presented in one of the other major characters. The movie considers what 'madness' is, who has the right to call someone else 'mad' or delusional, and whether 'madness' ever mitigates one's societal responsibility. And so whilst there are other strong themes (human evil, death, the family, justice and women's rights), it's issues of 'madness' and the role of the institution that is explored most deeply. In this respect, it is very similar to the 'archaeology of knowledge' of the penal system and the hospital presented by the French postmodernist Michel Foucault in his book Discipline and Punish. The movie questions whether two key figures - Mrs Collins and Northcott - might be treated in the same way today (and if not, why not?).

It's true that societal factors are highly influential in governing behaviour. I believe that evangelical Christians (like me) have traditionally underplayed these societal forces. However, part of what Foucualt's philosophy has done has placed us in a society where nobody is ever 'guilty'. We can always blame our mental health, our disposition, our upbringing or our parents. At the end of Changeling, it's worth considering this question: despite all of the guilt and the violence, who is guilty? (The answer might surprise you).

For a second opinion, here's what Nick Pollard of the excellent Damaris organisation made of it: